Page 30 - cr51
P. 30

Hot Oil and Carbon Ash



                                                       By Ross King

            That show biz line …the smell of   In the lower picture the
          the grease paint and the roar of the  projector in the foreground,
          crowd… is an inadequate summary of  not connected to a ventilator,
          the sensory experience possible in a  is a Simplex with Rear Shutter
          theatre.                          and Zeiss Ikon high intensity
            Importantly, it ignores the sealed-off  arc.  There is no sound-head
          world of the cinema projectionist.  on it and the complete
            Peter Ricketts has described his  machine is a silent outfit, so it
          childhood introduction to it this as  certainly isn’t a stand-by
          contrast and contradiction. ‘Almost  machine.
          black inside, yet the source of the  I suspect that this projector
          brightest, whitest light. Noise from  has been modified to show
          motors, grinding gears, chattering film  advertisements with a device
          scraping spools humming transformers,  that fitted the Simplex gate.
          spluttering carbons were one part of it,  This was a holder into which a
          another was the heat from glowing  glass disc about four inches in
          valves, hot motors and the smell of the  diameter (10cm) was inserted.
          oil which bathed them, mingled with  The disc was imprinted with a
          the smell of film cement’ (CR 46 p.30).  number of ads, each one the
            Old projectionists used to tell me  size of a 35mm silent film
          they drank a lot of milk to help their  frame, each telling a fact, in
          throat and limit the effects of inhaling  sequence, about the product.
          carbon ash.                          The device had a
            In projectionist Ken Newell’s   clockwork mechanism that
          domain at one of the Village theatres,  slowly rotated the disc to
          the projector oil was a German brand,  project them on the screen. I
          Oeil für Bildwerfer which translates  think they were called rotary
          literally as oil for picture-thrower, an  slides.
          apt description of its purpose.      Another effect used by
            In the quieter moments of the night  Hoyts was to show specially
          some projectionists were soothed by the  made Coming Attraction slides
          constant tink, tink, tink of the chaser  that had the artwork on a black  Top: An example of a rotary advertising slide with
          lights on the neon sign just beyond  background.              seven images and words to tell a story about the
          their little room.                   These were projected from  product.
            Most people visiting a projection  the slide bi-unal while a  Image: Alan Windley Collection.
          room for the first time were taken  35mm film with a fancy    Above: There never was a woman like Gilda, and
          aback by the size of the machines and  border frame was projected.  there never was a more unusual Coming Attractions
          the proximity of the operator to them.   This gave a sense of some  segment than this simplified type of slide with an
                                            animation to the composite
            The worst rooms were cramped,                               ‘animated’ border created by 35mm film projection.
                                            image (slide and film) on the
          stifling places, and although never                           Image: Ross King Collection.
                                            screen.
          commodious, the best of them were
          well laid out and, if you had your heart  Clyde Simpson described
          in it, it was a pleasure to tend the  seeing this type of slide  was raised well off the floor to ‘avoid the
          machines.                         presentation in Ivanhoe     stirrings of dust and asbestos by foot traffic on
                                            Paradiso (CR45). It had been  the projection room floor’.
            The projection room views opposite
                                            phased out by the time I
          are from the Regent Adelaide, after an                          Projectors and projection room management
                                            started in the business.
          overhaul of equipment in about 1940.                          had come a long way by 1940. The risk of fire to
                                               Back to the Regent’s     public safety required stringent building
            The top photo is typical of a well
                                            projection room: Western    regulations and changes to projector design and
          laid out room: moveable spot-light far
                                            Electric amplifiers stand side-  use regulations. ★
          left; Simplex projectors with Hamilton
                                            by-side behind the projectors.
          and Baker arc lamps, and at the far end,
                                            One was probably a stand-by
          a di-unal slide projector.
                                            amplifier.
            The ventilator flue hoods - like
                                               Peter Wolfenden has
          those in a fish and chips shop  -
                                            pointed out that Simplex, in its
          channel extraneous heat not captured                          Regent Adelaide projection room images are
                                            1921 catalogue, made a selling
          by the direct ventilation pipes to the                        from the John Thiele Collection.
                                            point of the fact that the motor
          outside.
          30  2006 CINEMARECORD
   25   26   27   28   29   30   31   32