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These prestige theatres screened the
          support first and the feature after
          interval, switching with a lesser house,
          which ran the feature first. The New
          Malvern always showed the feature
          second and switched with the Crystal
          Palace Caulfield.
            Hoyts and its affiliates had some
          handsome theatres well out of the city,
          such as the Regal Hartwell, but
          architectural merit did not alter the
          distance rule.
            By the late 1940s some venues were
          definitely ‘hard-luck houses’ by reason
          of time and position. Some of them had
          never been anything special. The
          Alhambra, Brunswick, Victory,
          Malvern, Town Hall, Coburg and
          Memorial, St. Kilda were ‘spill-over’
          or ‘fill-in’, venues, meant to capture
          every segment of the film-going
          population. Programming at these
          outlets often seemed independent of all
          else that was around.
            Locally, these theatres were viewed
          with affection. Programs at the ‘Memo’
          were usually first release B features
          deemed unworthy of St. Kilda's
          prestige houses, the Palais Pictures
          and Victory (Hoyts). A ‘Memo’
          program ran for a week, whereas it was
          three days at other down-market
          venues.
            Time and location could eventually
          tell against a big theatre. The Empress
          Prahran (1915), a fine theatre in its day,
          and one which could hold its own against
          contemporary rivals - the Lyric and
          Royal - also in Chapel Street, was later
          outclassed by the independent Astor
          (1936) and Hoyts New Windsor (1937).
            The same thing happened to the
          Barkly, Footscray. Programs changed
          every three nights with two B features
          at the weekend and the repeat of the
          Trocadero program mid-week. Later
          the Barkly was upgraded and the
          policy modified.
            Hoyts in the 1950s was in the
          enviable position of holding the suburban
          release contracts for films from Columbia
          and Universal, in addition to the rights to
          films from most other studios. The only
          films Hoyts didn’t show were those from
          MGM, new releases from Paramount,
          and releases under the banner of British
          Empire Films.
            In the 1940s Hoyts benefited from a  In a class of their own. Top: The Alhambra Brunswick.
          contract dispute which gave them the  Centre: Town Hall Coburg. Hoyts vacated this venue in 1950.
          Paramount’s old films for programs at  Bottom: Inside the former Memorial St. Kilda today. The theatre is one part of a
          the Town Hall Coburg (weekends)   substantial commercial building.
          the Alhambra (week nights) as well as
          at the Empress Prahran.
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