Page 20 - CR31R.pdf
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THIS IS THE PAMPHLET THAT JACK HAWKINS HELD


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              EALING


              STUDIOS




              and keep them British!
                                                                                 AN UNTHINKABLE
                                                                                      END TO 100
              Fears of supermarket deal and                                            YEARS OF
              reminder of MGM sell-off as                                            PRODUCTION
              film school puts site up for sale
                                                           Britain can be proud of Ealing Studios, which is one of the great
              Film Stars & l'rrJducers create RJREVBI EAJJNG   names in cinefll.a history.  The site has been in continoous pro-
              (laking its name  from George Perry's Book) in   duction since 1902,  making films that are famous all fNer the
              response Ill alannilg reports that IJdt;JiYs best   mrfd. Many people are under the impression that Ealing closed
              known stJxlio codd be sold off :nl tlemtJiislled.   dONn years ago but this is not the case.
              ThatEaling'sfamousstages  also happen here.   TheheydayofEalingStudioswasdur- iooal Film and Televisiro Sd1ool is
              could  be replaced  by a su- An alarming fact remains. No   ing the 1940s and first half of the  selling the s~e off with the possible
                                                           1950s when  Sir Michael  Balcon  ccnsequeoces of development
              permarl<et or fall  into the  buildings on the studio site
                                                           headed production.  For nearly  40  Focever Ealing believes that there
              hands of a property devef- are listed as places of signifi-
                                                           yearsaftef\Aiafds, the BBCmaimained  should be invesiment rather than
              oper for a tONilhouse estate  cant historical interest by the
                                                           Ealing as a production centre. Since  further decline in the British Film
              with street names such such  British G<Mmlment's Depart-  the BBC vacated the studios earlier  Industry and will do everything pos-
              as "Pimlico Close,"  "Laven- ment of Culture, despite the   this decade there have been difficul- stble to save Ealing Studios.
              der Hill Terrace" etc will be  studios  having  produced   ties. NCJN its present owners, the Nat-
             ·distasteful to many of us.  some of the most famous
              The reality is that what hap- films in the IMlrtd. Even the
              pened in .America to MGM,  familiar gatehouse which
              where  the  Studios  and  contain's  Sir  Michael
              Backlot were sold off tor a  Balcon'§.Qffice starx1s unpro-
              posh housing   could  .teet@ ·
                          ·---... ~no'


                                                           Scme of the finest British films, including Sed! d
                                                           the Antan:tic.  The Blue /.Jimp, The Cruel Sea,
                                                           The udykll/ers,  The lavender Hill MaiJ, Passparl to
                                                           PimHco,  Whisky Galore!,  and  Kind Hearts and CarJnets were made in
                                                           Gad eo Age, establishing stars such as Geage Formby, Gracie Fields, Jack warner,
                                                           Alastair Sim, Jack Hawkins, Ricllard A.ttenb«ough, Alec Guinness, John Mills and
                                                           Donald Sind eo to name but a few.
                                                           This year's blookbuster comedy Nolting Hill starring Hugh Grant and Julia Roberts
              Balcon's White House: Site of Proposed Museum   used Ealing's stages.

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