Page 19 - CR31R.pdf
P. 19

"Filmic Fantasy  - A Sad Scenario"




                                     By Denzil Howson from facts supplied by Ivan Maguire


             That great film studio  in  the sky -home of all actors who have shuffled off this globe - was in turmoil!

             From their vantage point on the fleecy cumulous clouds high above suburbia, a crowd ofwell-lcnown mummers gazed
             down sadly at a group of double storied brick buildings.


             A handsome solidly built man, with slightly wavy black hair was holding a pamphlet and addressing the gathering.
             They were men and women of all ages, and they all  wore a similar gannent- a long white robe.

             From the back ofthe crowd a shortish man, with a well-wom visage and a broad Scots accent, called out, "Speak up
             mon! We canna hear you. Just Imagine you're back on the cruel sea, Jack giving orders to your crew! Don't mumble you
             Sassenach!  Let's be hearing you!"

             A slight man, with a face you would pass  in a crowd, uttered a mild protest. His well-modulated voice was quiet, but
             compelling.

             "Now then Mr.  Laurie - let's not have any unpleasantness. We're all  eqlJal  here.  Let's reflect on the good times we all
             had down there.  As you all  know, I've not been here that long, and I can think back well on "Lavender Hill" and that
             white suit which was supposed to be indestructible"

             He chuckled reminiscently. "Yes! I remember them well!"

             Those familiar faces were all there ... Jack Hawkins, Sir Alec, John Gregson, Peter Sellars, Jack "Blue-pencil" Warner,
             his  screen-wife Kathleen  Harrison  and  that sexy pixie, Joan  Greenwood.  with that sensuous huskiness  in  her voice,
             which  had caused  many  a  leading  man  to  forget his  lines,  as  her provocative  up-turned  face  nestled  a  fraction  too
             closely, and he momentarily fa11tasized  a scenario totally different from  the one on his script.

             There was a slight flu.-ry, as a latecomer joined the group. He was carrying a ukulele.

             "Eeeh! Turned out nice  again, asn't it!" The accent was broad. "Sorry if l'm a bit late, but l've been cleaning windows
             for Fanlight Fanny, the Frowsy Night-Club Queen!"

             He chuckled with  a toothy grin and strummed a chord on the uke. Someone called out, "Good old George!"

             Jack Hawkins waved  the  piece of paper  in  his  hand.  "The point  is, what are we going to  do about this? Our home!
             They're going to- " We know what they're going to do and there's naught we can do to stop 'em".

             The speaker was a jolly looking lady.  "Happen someone down  there will do somethu1g to  stop the rot.  But don't be
             downheatted. Come on!  Let's hear you. Let's brighten ourselves up with a song".

             The accent was direct  from  the Lancashire mills.

             "Come on. You all  know this one. One! Two! "Sing as we go and let's be bright and gay!"

             Stanley Holloway shouted, "That's our Gracie!"

             The crowd captured by the infectious beat and the vibrant soprano of their cheerleader moved away as briskly as they
             could, to a distant cloud and finally Jack was the only one left, clutching his pamphlet.

             He shook his  head sadly as for the wnpteenth time he read the bold type.

             "A hundred years" he muttered. "Surely somebody must be able to do something!"

                                 (CONTINUED ON THE NEXT PAGE - PLEASE TURN OVER)

                                                           - 19 -
   14   15   16   17   18   19   20   21   22   23   24