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MEMORIES OF THE CINEMA  (through a small pair of eyes)
                                                       by lan Baker







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                                          Hoyts Cinema Theatre- Richmond c. 1938


              Hoyts  Cinema Theatre,  Richmond,  (nowadays disguised   fined to the smal)jsh school ground 1 soon found myself at
             as  a Barbeques Galore retail  outlet)  had a  brief but  pro-  an open side exit door of the Cinema. (I later found  that
             found influence on my life.                       the side doors were left open during most days as a low-
                                                               cost airing process).  Apart from  the daylight seeping
             In  December 1947, our family  moved  from  Dandenong,   through the several open doorways, the interior was in dark-
             then a small country market town, to inner-submban Rich-  ness. I had never seen such a large auditorium. What caught
              mond. I fu·st saw the Cinema theatre on a mild early sum-  my small eyes was the arched trellis-like ceiling, a massive
              mer evening.  My family  was  having  its  induction  su·oJI   stage with hs maroon curtains and row after row of seats
             along  Bridge Road,  sharing it  with  other pedestrians.  It   blending with a dimly lit balcony which vanished into the
              was post World War 2 and vehicles were few and no bother   blackness. As 1 wandered back to school I planned my next
              to the occasional trams that clanked across the Church Street   step.
              intersection.
                                                               The following Saturday afternoon 1 arrived  at  I  o'clock
             I looked in  awe for the fu·st time at the colourful flashing   and joined a rapidly growing queue of kjds. At 1.30 Head-
              illuminated Hoyts sign above the  verandah edged with il-  Usher, Harry Archibald, smartly dressecL in his Hoyt's uni-
              luminated light bulbs. We paused and I saw inside the white   form of maroon jacket. white shi1t, maroon tie, black trou-
             (marble?) tiled foyer with a double ticket box as the central   sers and shiny black shoes, unbolted two of several glass
             feature.  Beyond the ticket box were several tiled steps ris-  doors  . The queue snaked  inside  in  an  orderly fashion  to
              ing to two sets of double mitTOr glass doors opening into a   the  ticket box occupied by a  very pretty ticket lady (Mrs.
             mysterious  interior.  On  either  side of the spacious foyer   Harris) dressed in her Hoyt's issue white blouse and  long-
              were illuminated glass display windows.  A steady stream   flowing maroon skirt. She dispensed sixpenny (front stalls)
             of patrons queued  for  tickets. I  wished  that I was one of   and  ninepenny (centre stalls)  tickets.  With ticket  in  band
             them because I was eager to try out the Cinema.   we scurried past Page Boy, Ernie Carr, dressed in his Hoyt's
                                                               issue page-boy uniform of maroon waistcoat with gold but-
             My chance to find  the inner secrets of the Cinema came   tons, white shirt, maroon tie, grey trousers with a maroon
             early  in  February  1948.  By  then I  was enrolled  at Rich-  side strip and a  maroon peaked cap. Ernie did his best to
              mond Technical School in Church Street. The rear of the   extract a  fwther threepence in  exchange for  an obsolete
             Cinema was separated from  the Tech.  by a  paling fence   copy of the Screen  News.  Harry  looked on  like a  school-
             and  a  lane.  The temptation  to  explore during  lunchtime   master. He obviously had good discipline because none of
             was great and  upon finding  that students  were  not con-  the kids put a foot wrong.


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