Page 7 - CinemaRecord #84
P. 7

Auditorium 1992 - prior to major renovations.  Image:  Les Tod
        from buff through to browns and black. The  scarlet.  As  a  contrast,  pale  cream  and  grey  bunker,  is  under  the  rake  of  the  foyer
        central  stairway  to  the  upper  foyer  utilized  shadings  were  also  used,  as  was  the  use  of  staircase  in  a  semi  basement.  The
        chrome balustrading mounted on black posts.  stained timbers and doors.  projection area is forced ventilated through
        The foyer floor coverings were rubber, with a                            ducts to the towers on top of the façade.
        central marble effect and black and red border  The  stage  draperies  were  carried  through  in
        lines.  The  ceiling  panels  were  made  of  curtaining  of  orange  and  gold.  The  drop  The Town  Hall/Regent  opened  on  18
        embossed  glass.  The  foyers  were  lit  with  curtain  was  in  tangerine  velour.  The  September 1935 screening Mrs. Wiggs of
        diffused light from standard pedestal fittings  auditorium  was  designed  to  give  acoustic  the Cabbage Patch (Paramount) supported
        of oriental design.                  properties  as  perfect  as  possible;  the  ceiling  by Circus Clown, a Mickey Mouse cartoon
                                             was  made  of  sound  absorbing  material.  An  and a Fox Movietone Newsreel. Simplex
        The main auditorium was entered to the left  unusual feature of this building concerned the  projectors and Western Electric sound had
        and right hand sides of the main staircase. The  location of the projection room. It was located  been  installed. The  Regent  became  the
        moderne design effects in the auditorium were  on the ground floor, partly under the rakes of  flagship  of  the  burgeoning  O’Halloran
        achieved through the use of a series of vibrant  the  balcony  and  the  central  foyer  staircase.  Theatre  Circuit.  The  administration  and
        colours,  horizontal  lines  along  the  sidewalls  The rewind room, reminiscent of a concrete  buying for the circuit was moved to Swan
        and part of the stage walls, and fins running
        the  full  length  of  the  ceiling.  Extensive
        symbolic  grillework,  incorporating  swan
        designs, cover a large part of the stage splayed
        walls.  The  design  of  the  auditorium  was
        intended  to  focus  audience  attention  on  the
        stage.  The  bold  colour  scheme  included  the
        use  of  strong  colours  such  as  terracotta,
        various  shadings  of  orange,  port  wine  to






















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