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From Left to Right: Peter Marett (Hoyts),
                                                                               Robin Senior (UA), Bert Manning (Fox),
                                                                               Graham Burke (Kirby), Barry Hall (Fox),
                                                                               Geoff Gunst (Fox), Tom Hayes (GFD),
                                                                               Tim McNair (UA), Rees Jones (MGM),
                                                                               Ray Fry (UA), Daniel Maskiell (UA),
                                                                               Ted Stephens (Repatriation Dept),
                                                                               Frank Fordyce (UI).
                                                                                      From- Australasian Exhibtor Magazine
            In late 1953, the CinemaScope
          process was introduced by Fox with       y favourite suburban cinema was
          The Robe at Hoyts Regent Theatre in  M the Padua Theatre in the
          Collins Street. The new wider screen  northern Melbourne suburb of
          was built out over the orchestra pit,  Brunswick. This was located in Sydney
          wall-to-wall, it was fantastic. Then later  Road and near the corner of Stewart  Then, in 1953, Paramount Pictures
          on down the track they reduced the  Street, where I actually lived.  came out with VistaVision for the film
          screen size to fit within the original                               White Christmas — this was depth-of-
                                                 The projection box was wall-to-
          stage and behind the curtains.                                       vision clarity in a wide-screen format.
                                              wall, the same as the Regent Collins
            Before The Robe opened, the Fox   Street. This cinema was a Hoyts outlet  I eventually went into the film
          staff and invited guests were given a  and when they screened slides, they  booking department doing nature
          demonstration of both Standard and  were shown on a round screen, then  programmes for the Hoyts suburban
          CinemaScope ratio films to make you  when the lights went out, the stage  circuit and later on into the 16mm
          realise how much bigger and better the  revolved around to reveal the normal  division. I stayed with Fox for 12
          picture would be.                   standard ratio cinema screen - this was  years, then went to 16mm Australia
                                                                               (located above the Majestic Theatre in
                                              before CinemaScope came in.
                                                                               Flinders Street) which became Bell and
                                                 I went to this particular cinema for  Howell “the Camera People”.
                                              over 27 years, as well as numerous
                                              others around the suburbs. I recall that
                                              CinemaRecord did a wonderful story on
                                              The Padua, which I have in my
            I remember Gentlemen Prefer
                                              collection and greatly treasure.
         Blondes being shown on the
         CinemaScope screen with Marilyn
         Monroe performing the song Diamonds
         are a Girl’s Best Friend. They stretched
         it out to a wide-screen format, but you
         could see the Fox parking lot in the
         background. We were also shown some
         advance trailers such as How to Marry
         a Millionaire and Beneath the 12-Mile
         Reef etc. This was wonderful
         experience at the time.                                                          The Majestic.

                                                                                       CINEMARECORD 2010 27
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