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candelabra. Entering the auditorium, the eye  with  leather  cushions  and  fabric  backs,  an  Following the closure of J C Williamsons in
        focuses on the stage with its green act drop  up-to-date heating and ventilation system and,  1978,  the  Comedy  was  bought  by  the  Paul
        curtain, which is unusual, as green is said by  since  the  late  1960s,  air-conditioning.  The  Dainty  Corporation;  it  continued  staging
        many  superstitious  actors  to  represent  bad  two-level auditorium seats 1,008, made up of  shows,  including  the  hit  Nunsense  in  1987.
        luck.  Another  unusual  design  feature  is  the  578 in the stalls, 418 in the dress circle and  The  theatre  was  renovated  in  1993.  This
        restrained  proscenium  treatment  which  12 in the boxes. By not selling the box seats,  involved  replacing  some  of  the  original
        separates  the  stage  and  the  auditorium  with  the  capacity  is  less  than  1,000,  thereby  seating and many of the drapes, as well as the
        minimum impact. A conventional side box on  reducing the cost of fire protection.  cleaning of the internal and external surfaces.
        either  side  flanked  at  the  upper  level  with                      Recent  alterations  were  made  to  the  foyer.
        large medieval tapestries retains the Italianate  A glance to the rear wall of the dress circle  Both side walls were been partially opened up
        flavour of the exterior.            reveals  the  spotlight  booth,  complete  with  to  form  a  booking  hall  on  the  left  and  an
                                            conventional cinema projection ports. During  enlarged candy bar on the right.
        Retreating from the stalls to the dress circle,  the  1930's,  the  theatre  regularly  alternated
        after ascending the marble steps, one passes  films with live shows. The most recent movie,  In 1996, the theatre was purchased by David
        through the upper level foyer which is built to  The  Railway  Children,  was  screened  in  the  Marriner, becoming the fourth theatre in the
        represent an old Italian palazzo. Furnishings  1980s.  To  compliment  the  modernity  of  the  Marriner Group. It has since staged a diverse
        include a heavy gilt table, a settee and several  auditorium;  the  stage  facilities  are  equally  set of entertainment, including stand-up and
        chairs placed around a Spanish wall fountain,  up-to-date. On the Lonsdale Street side of the  musical  comedy  –  now  a  venue  of  choice
        backed  by  diamond  patterned  mirrors  and  building are twelve dressing rooms, matched  during  the  Melbourne  International  Comedy
        supported  on  a  base  decorated  with  floral  on the opposite side by two large prop rooms.  Festival – as well as productions like Waiting
        patterned terra cotta tiles. The carpet in this  The  stage  is  65  ft  wide,  with  a  proscenium  for  Godot  featuring  Sir  Ian  McKellen,
        area is a rich red which matches that in the  opening  of  38  ft.  The  proscenium  height  is  Calendar  Girls,  and  the  acclaimed  Rock  of
        auditorium.  More  tapestries,  mirrors  and  26  ft.  There  are  58  counter  weighted  lines  Ages.
        drapes adorn the walls.             enabling easy, quiet scene changes. With the
                                            exception of the carpets and a few small items,  Film  screenings  returned  to  the  Comedy  in
        As one enters the dress circle, the ceiling is the  all  building  materials,  furnishings,  lighting  2015, and again in 2016, when it was one of
        eye-catching feature, being a reproduction of  and stage equipment are Australian made.  the  venues  used  for  the  Melbourne
        that in a palace in Florence. It is stenciled in                        International Film Festival.
        various tints of crimson and tastefully lit by  Notable  shows  presented  at  the  Comedy
        concealed lighting. Hanging from the ceiling  include  On  Approval,  Sweet  Nell  of  Old  Credits:
        are  two  huge  Spanish  candelabra.  The  Drury, (for the umpteenth time in Melbourne),  Images: CTA (UK) and the John Budge Collection.
        composite lighting emits a reflected glow to  Romance,  The  Borovansky Ballet  (several
        enhance the green and gold and walnut, which  times), A Streetcar Named Desire, The Kiwis,
        comprise  the  main  colour  scheme  of  the  Worms  Eye  View,  Seagulls  Over  Sorrento,  This  article  originally  appeared  in  edition  54  of
        theatre. As well as looking well-designed and  Reluctant Heroes, Harvey, Edward My Son,  Kino. It is reproduced here, with updates, with the
                                                                                permission of the author.
        decorated,  the  Comedy  is  extremely  The Boy Friend, and Man of La Mancha. All
        comfortable,  with  the  original  chairs  fitted  of these were J C Williamson productions.

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