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covered my bedroom window.                                           pens, a blotter to rock back and forward
            I collected carbon butts. Many were                                over some freshly written document to
          the old black carbons, and some were                                 dry the ink, a carousel with rubber
          copper coated. Either way I would                                    stamps hanging from it, and a  metal
          come home with black hands. I would                                  stand with a steel spike to skewer
          get into trouble for using them to draw                              papers. There were wooden filing
          on the concrete in the back yard.                                    cabinets, and shelving with partitions
            Another item I would collect were                                  for folders and posters. Hanging on the
          old records from the theatre. They were                              walls were clipboards and higher up
          the 10inch and 12inch 78-rpm records.                                were photos, posters and a floor plan of
          Many were aluminium covered with                                     the theatre.
          bakelite. We had hundreds of them. At                                   As in so many of the old theatres
          home we had a wind-up gramophone. I                                  the ladies had their toilets inside the
          would play records for hours over and                                building, but the gents was outside,
          over again, driving my parents mad.                                  down beyond the stage, near the back
            In the theatre office I particularly                               fence.
          remember the telephone. This was the                                    One thing still has me puzzled. By
          candlestick-type with the receiver                                   law, every theatre had to have two
          hanging on the side via a cradle and the  RIVOLI CAM is visible on this film carry bag  means of escape from the projection
          rotary dial on the base. What was                                    room. From my recollection I can only
          different about this one was that it was  with some controls on the front sitting  ever remember the one entrance.  ★
          attached to a pantograph arrangement,  on the desk, and a small earpiece
          fixed with a hinge to the wall above the  hanging on a hook to allow  a third  Don't Miss:
          desk. It could be used at the desk when  person to listen in. I have never seen  The Next Exciting Episode of:
          folded up or extended to an       such an  arrangement again.        Through the Porthole at this
          extraordinary length to reach over to  The office seemed to be what one  CinemaRecord, next issue.
          the ticket seller at the ticket counter  would expect in any business; a green
          when needed. There was a wooden box  blotter with leather corners, ink and nib


          Forgotten

          The show has started, the pictures I mean,
          The overture’s played, and there on the screen
          See the stars and cast and the author pass through,
          Assistants, directors, photographers too.
          There’s only one man that we’ve missed -
          And I mean he’s too busy to care that he’s not on the screen,
          That’s the man operating the picture machine.


          But the stars would not twinkle, the cast matter not,
          Scenario be worthless, unheeded the plot,
          And we’d all be sad with no place to go
          Were the man in the booth taken out of the show.
          For mid whirring motors and spluttering arc
          Is a real producer, I rise to remark,
          For the guy we owe most, though he never is seen
          Is the man operating the picture machine.


          You may think of the stars that appear on the screen,
          But the heroes, alas and alack
          Are the men, all alone, who conduct the machines,
          In the hot little box at the back.

          This anonymous tribute to projectionists was circulated at an industry luncheon in 1939.
          It is reproduced here by courtesy of Alan Windley.


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