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matinee at the De Luxe. (A hyphen in  the foyer of the theatre. Marching  the Visiting American Fleet will be
          the name had a short vogue.)      sailors broke rank to help ambulance  Admitted Free - The Pleasure is Ours.’
             The decorum of the interior was  men. Many of the injured were carried  The Sun on Monday ran a full-page ad
          sometimes at odds with the carnival  across the road to the foyer of the  for the latest Rin Tin Tin adventure. It
          atmosphere on the street. Table Talk  Tivoli, which became a casualty  was back to business as usual, except
          began one review:                 clearing station. (6)              that the verandah was not replaced until
          Naturally a girl in pink tights swinging  One hundred and twenty people  1957.
          in front of Hoyts in Bourke Street  were injured, 17 severely. One of three  The De Luxe became the one city
          arrests the eyes of the curious crowd  tie-rods supporting the verandah had  theatre not to have a veranda. Open
          and draws them inside …’ (5)      snapped, and the extra weight on the  access was taken to its limit, but the
             And no doubt the anchor-man for  other eye-bolts had pulled them out of  entrance looked unfinished.
          all the buzz in the street was Charlie  the wall, ‘as if coming out of butter.’ (6)  When Hoyts opened the Regent and
          Fredericksen.  His record tenure as the  Whether by coincidence or fast  later the Plaza in 1929, a demotion to
          Man Outside Hoyts (1908 – 1959),  thinking, the Herald advertisement for  lesser films was inevitable. Even the
          created a lasting persona for the  Hoyts that night read, ‘All Ratings of  conversion to sound was slow.
          theatre.
             The People’s Popular Picture
          Palace, presenting pictures properly
          projected, the best from America,
          England and Fitzroy. – C. F.
             Corny lines and doggerel seem
          unlikely ways to cajole a passer-by into
          buying a ticket. However, the stories
          that grew up around him  – rivalry with
          Bill Parry at the Melba, egging each
          other on to even more frenzied
          shouting, or Charlie doing a sketch of
          the robber for the police after a hold-
          up in 1938 – were priceless publicity.
          A phrase from the war years of 1914-
          18, ‘Tell It to The Man Outside Hoyts’,
          suggests another role; the willing ear,
          the comforting word to the troubled
          stranger, even if the word was
          directions to a lost shopper.
             If you haven’t seen ‘Swamp Water’
          - Then you Oughta – C.F.
             The opening of the Capitol in
          Swanston Street in 1924 dislodged the
          De Luxe from its comfortable position
          at the top of the cinema ladder. Horace
          Weber, who had inaugurated the seven
          rank Wurlitzer at the De Luxe changed
          allegiance to be the first organist at the
          new wonder theatre.* Even so, Hoyts
          strong line-up of films, and the public’s
          appetite for them, buoyed the theatre
          along.
          THE DARKEST DAY
             The visit of the U.S. Pacific Fleet
          in 1925 was a time for celebrations
          down the east coast of Australia.
          Crowds had gathered in Bourke Street
          to watch the march. At the De Luxe,
          the office staff had climbed through the
          windows on to the verandah, shared at
          that time with Spencer’s Drapery. The
          verandah began to sag, spilling about
          30 people onto the street.
             One eyewitness told how the
          verandah “closed like a door.” Those in  In his element. Charlie Fredericksen on the pavement c.1938 (top) and with the staff in
          its path instinctively pressed back into  costume for South Pacific c.1960

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