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ing shapes for acoustic purposes, the inclusion of"art deco"   operated several cinemas throughout Melbourne. Amongst
             friezes on the interior walls ofthe Park and elaborate deco-  the first shows was  the former Hoyts "Crown'' cinema at
             ration at the  Rivoli  theatre  at Camberwell  is  somewhat   Richmond, which  had been closed since the silent movie
             unexplained. It could be stated that both of these theatres   era.  The theatre was acquired about 1936 and was exten-
             were considered special by their owners and given the much   sively rebuilt and renamed the "Victoria"  theatre.
             higher costs of construction, and it may have been requests
             from  the  respective clients  to jazz up  the  designs.  This   The alterations  to  the  Kinema  were quite  dramatic.  The
             may have certainly been the case at the Rivoli, which came   original  facade  lost its  ornamentation and  leadlights.  In
             under the ownership and direction of Robert McLeish.   its  place a simple contemporary plain  exterior treated  in
                                                               the  popular Eau-De-Nil colours of the day. TI1e new cin-
             The Park was a truly handsome edifice and very comfort-  ema was smaller than the original  with seating for  I ,234
             able with padded seating on both levels. A geometric stair-  patrons ( 16 ).  The focal  point of the auditorium  were  the
             case gave access to the dress circle foyer which contained   murals painted on  the  splay  walls  near the  proscenium.
             a light standard which reflected onto the ceiling. Furnished   Plaster sheeting was used for the walls and a new ceiling,
             in a most modem manner this pear shaped room also con-  lower than  the original, was also installed.
             tained a candy bar, known as the South Sea bar. This con-
             cept was an idea conceived by George Griffiths Jnr., (Hoyts   Whilst the Hoyts Park across the way was enjoying brisk
             Victorian  Manager).  The  bar was decorated  like  a  small   busi11ess, the Kinema too enjoyed great success which was
             makeshift hut one would find  in the islands of Fiji.   to continue through  the war years.






































                                         Comfortable Lounge of the Dress Circle Foyer


             "'Here parrons are served their drinks in a tropical selling   Film product was supplied from  M.G.M., Paramount and
             with  vistas of island and sea.  Rain pours  on  the roof of  Universal for  the  K.inema,  whilst the  remaining compa-
             this bar and deluges over the eaves, ctccompanied by sound   nies (Fox, R.K.O., etc.) played at the Park.
             effects of thunder amplified through  the public address
             system in the foyer" (13).                        Jt  is  not known  exactly as  to  what projection  equipment
                                                               was used at the Park originally, but in  photographs of the
             Towards  the end of 1938,  the  former "Kinema" theatre   other Hoyts theatres at this period, it seems tl1at Simplex
             was reopened after an extensive rebuild. The architect be-  projectors  with  the  latest Western  Electric  sound  repro-
             ing R.A.  Le P.  Terry  and  the  builders  were T.R.  and L.   ducing equipment was installed. Four track magnetic stereo
             Cockram (14). The f01mer Hoyts cinema was now under   was  installed  with  the  introduction  of CinemaScope  in
             the control of the then newly formed  Consolidated Thea-  1954.
             tres company.  Mr.  Stan  Cherry  was appointed  as  the
             Kinema's new theatre manager (15). Mr.  Graham Slobom   The Kinema for many years used Gaumont-Kalee projec-
             was the Managing Director of Consolidated Theatres and   tors with Duosonic amplifiers. Similar equipment was also

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