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BELL &t HOWELL
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                 Bring your            ... &,~4•11-<IM-1'111-t"'•...-.~u   4
                                           IVI..It ,. ... Ht fC"'ftl
                                                                         ira t-Jwvit: ... only a  movie camera
               travels  home with  you!                          can give you  the complete story
                                                                                                        ro  MAICC  It
              Bell & Howells home movie camera:  "No special skill needed-  uuurs no  mor~ nli~!-aaory '",..Yo( ncalling an  c-.xperi·   MOVUS ,   ,  M.p
                                                                                                      ~ ...... P'KI. .. ,fn, •
              Filmo Camera provides it.  What you see you get".   T t'nc~ rh11n through homo movit'.S. Noc -a de1A..il. not :a  morion   .. .. ,. ......... _,.,too . ...
                                                                 i.>  lo~t by your mo,·ic em en. Oon'c min rhiJ grt;ac upcril'nc:t-.   ·~~·, ·-~ .,., ""-..
                                                                 0"'" your own  mo,.·ie camen-rec:ord. <ompletdy  and  l.au·   ... _  .......... .... ,. ..... w ••  1~10
                                                                 ingl~·· events f01l wJnt co rtmc:mbtr.   CI ... KMe.l.  "'1C,''  -  ,U  -~•lr ..,,
                                                                                                  -  ._. •  ...Aec .. ._110 C11lo.Jh
                                                                  On/)  C.11muu tif'rl ~~~  a mpltlr t'IMI"pmtNI •ml Jtrn'u ,  ••   "lo .. ...... _,.....,. "t.fate•JI"  " '"'
                                                                 Cint:-Kodalc.-thc:  home  mo"'i~ c1mer2  e~&<tly suiu:d co  )OUt   ........ ~ ... ·------.... "
                                                                                                  ._,_ Me4el  U, St"-t  11, ,_,.\l.f,
                                                                 n~d$ . .• Cin-:.Kod.lk  Film ••. Proc:ening 1hou's C'Onvc:nicot   10 SHOW 16  MM. MOYfiS  •• II•
                                                                 and included Jn the price of the film • •. 1\.od.lJCOpt:-dlc pro-
              Up  the scale,  for the  adult  projectionist.  were  the better   jc:C10r th-;at )bow) your mo,.·its brllli.antly-E•.stnou.n all, <U'Id  aU   ,.rkt4, fN"' ,.,,.u , K.-u.,. MN•
                                                                                                  S....i.t  u. r..--·. _ ...  f'f'HI•
                                                                 dt:~ignt-d 10  • •ork together.   ................ .., ........ 1ti2.9J.IIetl.t
              engineered quality projectors operating mostly on the new   Your duln'Will show you ch~ r.angt orEanmot.n home mmie   ... ............ tit41-;e.
                                                                 cqujpnumc Qnd  project  s01mple  mo•ic) (or  rou  ,  ,  ,  (urm.an
              substandard gauges that had been specifically designed for   Kocbk Cuntp;~.ny. RochC$1ct, N.Y.
              home shows. The earliest included hand-cranked models -  tOO&l'l  NCW  (OlOI  I*W-Autlll TICI  )If Clf '* MlW  fOil WOilO'S  ''"
                                                                    ~1•1110111 dt J'C'Uple  tu"ll' mu,dcd :11  the- h<o11J(1  ani.!  dr.m• of
              little more sophisticated than the ubiquitous 35mm toy pro-  Kud.tt.'humtt' Ml·<vlor pfuwru proitcttd on •  un.fooc u-rrcn,
                                                                    ltJngr-u 11'1 "'"' ·~ltJ. Ahu .11 tht K(Mbk llGittJin~-c:&Jietl •t.l<riC"It
              jectors - but later motorised machines soon took  the major   on r •<lurr 1a.kil'lfi "'' d1e F•tr. ~"·' for,cu rovr f.io(·K~
              market  share.                                              Cine-Kodak
                                                                          Eastman·s  finer  home mo'''C: amcra.s
              Of course, there was often a crossover between the two types
              of movie enthusiast.  What started a<;  home movie making
              might  lead  to  the  urge  to  include  in  a  program anything
                                                               newsreel of family and local happenings when you would
              from an early Charlie Chaplin short to an Our Gang com-
                                                                find  that mention of such a film  would more than fill  any
              edy.  Likewise,  the home theatre enthusiast  might eventu-
                                                               empty seats that you might have!"
              ally succumb to the lure of filming his or her own epics to
              add  vruiety to the screening of commercial  films,  as  one   Film Sources
              early writer proposed in  a book on  hobbies  for the young
                                                               If you  were the operator, for exrunple, of a  'Lion' toy pro-
              enthusiast:
                                                               jector (as I was) where would you have found 35mm films
                                                               to screen? Well, the field wasn't very wide because theca-
              "Once the hobby (home cinema) has taken a hold on you as
                                                               pacity of these 35mm machines wasn't much above lOOft
              it most certainly will, you can expand and make your pro-
                                                               or so! Perhaps, if you knew a friendly projectionisl at your
              grams more and  more ambitious. Having mastered all  the
                                                               local cinema (shades of the Italian feature Cinema Paradiso)
              tricks of show mans hip, you might try filming your own
                                                                           you might obtain offcuts from damaged films!
                                                                           I managed to acquire bits and pieces like old
             Child's Home uMovie" Stage From a Shoe Box                    Empire Newsreels. The alternative was to buy
                                                                           from toy shops short segments cut out of
               Children can make their
             own  movies  wlth  this                                       prints of eru·Jy (usually silent) feature films.
             stage, which coll$l.sts of. a                                 Early  manager of the Carlton Cinema in
             shoe  box  containing a
             Lunp  and a  tissue-paper                                     Melboume. Gordon McClelland, told me
             screen.  Pictures  are                                        how his father purchased for him 35mm se
             sketched on the paper or
             traced on lt from cata-                                       -quences out of John Wayne's first feature
             logues  and magazlqes,                                        for Gordon to run on his hand-cranked toy
             and are colored lightly to
             suit.  Then the papet ls                                      projector! My 'Lion' came with a shot1 item
             wound  on a  large  spool                                     on a horse race (believed by ScreenSound
             and slipped over a  do.wel
             running through the box                                       Australia, formerly  the  National Film and
             from  tcp to bottom near                                      Sound Archive, to be an early Melbourne
             one end.  To show the
             movies,  the paper is un-                                     Cup) plus a segment from an old silent west
             wound  slowly  onto  an-                                      ern and another from some old unidentifi
                                                                           able American  melodrama.
                                                                           All nitrate, of course.
              When it all began: "Make Believe" cinema in the 1940's
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