Page 12 - CinemaRecord #11R.pdf
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Immediately inside this cinema a small counter space can be used as an additional ticket selling and candy bar
             area at peak trading times.

             The theatre was leased out for two years (from 1990 to 1992} and traded as the Capricorn Cinema, the operator
             was Ron Campbell. The cinema was temporarily closed from October to December 1994, when once again
             Kevin  Baglow  returned  to  operate  the  cinema.  Since that time  he has  continued  to make changes and
             improvements.

             A third cinema was opened on 25 January 1995. Cinema 3 has a deep and narrow auditorium and, like Cinema
             2, has been built under the rake of the original cinema. Both Cinemas 2 and 3 are entered by a small corridor
             directly off the street at the front of the building.

             Each cinema has its own projection booth and, as the proprietor tends to lease his machinery, a variety of
             projectors have been used. Currently Cinema 3 utilizes a Kalee  projector with a Dolby sound system.

             Cinema 2 has a Kalee projector fitted with a German  lamp house and a mono  sound system. Cinema 1 is also
             fitted with a Kalee projector with a Raydek and DTS sound system. Each cinema uses portable homemade film
             muts (large film spools).

             Cinema 1's projection room has been extended to the north side auditorium wall. This provides the operator
             with a large workshop and storage area. Cinema 1 originally was equipped with stage curtains which are not
             used today. In 1994, in order to allow fora larger screen (now 44' x  19'), the suspended ceiling was raised from
             14' (4.2m) to 20' (6.0m). The cinema screens on a 7 day multi feature and multi session policy.

             Further improvements are being planned to the ticket selling and candy bar areas on the front street level. An
             additional two screens are also being planned.

             Since its initial construction this theatre has claimed several firsts in North Queensland such as the first liquor
             licence (c1986), the first stereo sound installation (Mad Max- Beyond Thunderdome) and the first DTS digital
             sound system  (Easter 1996).  The cinema is equipped for 3D screening and the exhibitor uses this facility
             whenever possible.




             The People Behind The  Yeppoon Film Theatre



             The Baglow family became the owners and exhibitors of the former Roxy Theatre in Yeppoon.  This cinema
             was demolished after being replaced by the Kavlon in 1977. The previous owner was Len Harris. This theatre
             was situated  in the same street block as the Film  Theatre, but was a  few doors closer to the sea front. An
             apartment block and shops now occupy this site. The opposition Regent Theatre was situated nearby in the
             same street.
             The  Roxy was of a  cheap timber and fibrocement construction  and  its design  also took advantage of the
             steeply sloped block. It's interior decoration featured wood panelling, art deco lights, and a plaster proscenium
             with coloured footlights. The screen was at the street frontage end of the building.

             Limited stage facilities, including dressing rooms, were included in the theatre. This stage space was converted
             into a flat for the owners. The canvas seats were installed on the single, raked, bitumen covered floor. Given
             the nature of the building the Normanby Council encouraged the Baglow family to build a new cinema; which
             they did.

             Kevin Baglow helped work the Roxy with his family but he also learned the rudiments  of projection whilst a
             student at Yeppoon's St. Brendan's College. His love of films, and the exhibition business, led him to a career
             in the industry.

             He enthusiastically runs the business with the minimum of staff and together with  an imaginative screening
             policy of mainstream and art films, he has conducted a successful business despite the large chain competition
             in Rockhampton.
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