Page 32 - CINEMARECORD-98
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Keith Ellis managed the theatre up until around
                                                                                 1940  when  it  was  taken  over  by  Howard
                                                                                 Williamson who started his career on the Ozone
                                                                                 circuit in 1939 at the Renmark Ozone. He was
                                                                                 later  transferred  to  Mount  Gambier  for  the
                                                                                 opening  of  the  Ozone  there.  He  then  was
                                                                                 appointed manager/projectionist at the Victor
                                                                                 Theatre and remained there throughout the war
                                                                                 years up until 1945.

                                                                                 Even  though  the  war  was  in  full  swing  and
                                                                                 Victor Harbor had to adhere to strict blackout
                                                                                 controls at night (11 pm curfews were in effect),
                                                                                 the theatre did a booming business, so much so
                                                                                 that the Wonderview had to be re-opened as a
                                                                                 cinema  from  its  current  dancehall  status  to
                                                                                 handle the extra business.
                                                                                 Ticket prices at the Victor Theatre during this
                                                                                 period were listed at 3 shillings for the lounge
                                                                                 seats, 2 shillings and four pence for the dress
                                                                                 circle and 1 shilling and 9 pence for the stalls.

                                                                                 Due to the length of some programmes and the
                                                                                 11 pm curfew, allowances were made to speed
                                                                                 up  the  films,  even  though  this  practice  was
                                                                                 frowned upon at the time. The theatre usually
                                                                                 screened a main picture and a support feature,
                                                                                 and there were usually two newsreels and one
                                                                                 or two cartoons on the programme.
                                                                                 Aside  from  foot  warmers  being  installed  by
                                                                                 T O'Conner & Stone Ltd in 1948, very little
                                                                                 changed up until 1951 when the theatre came
                                                                                 under a new management once again.

                                                                                 In  1951,  after  almost  a  year  of  negotiations
                                                                                 between managing director Ernest Turnbull of
                                                                                 Hoyts  Theatres  Ltd  and  Clyde  Waterman  of
                                                                                 Waterman  Bros  it  was  announced  on  Friday
                                                                                 30  August  that  the  Hoyts  theatre  group  had
                                                                                 acquired “a substantial financial interest in 24
                                                                                 Ozone theatres operated by Waterman Bros Ltd
                                                                                 in SA, Victoria and NSW”. The name was then
                                                                                 changed to the Hoyts Ozone.

        official opening on the 23 December 1934. It  its  “possession  of  all  the  latest  devices  of  a  In   1955   management   upgraded   to
        was opened by the mayor of Victor Harbor, Mr  modern theatre”. With the new opening came  CinemaScope along with major alterations to
        S.  D.  Bruce,  in  the  presence  of  around  800  a new manager. The theatre's prior manager Mr  the  proscenium  to  accommodate  the  wider
        people. The building could now accommodate  Allan  Woodard  was  sent  to  manage  the  screen. The first film to be screened in the new
        1,100 people and was said to be an attractive  Marryatville Ozone and the Victor was now  format  was  The  Robe  on  9  June  1955.
        one and was praised for its interior design and  managed by Keith Ellis.  Screenings  were  nightly  except  on  Sundays
                                                                                 with matinees every Saturday. With the onset
                                                                                 of television, business began to dwindle with
                                                                                 screenings  being  cut  back  to  Wednesdays,
                                                                                 Fridays  and  Saturdays  in  1959  and  by  April
                                                                                 1962  only  a  Saturday  night  screening  was
                                                                                 available  with  the  exception  of  the  school
                                                                                 holidays. This decline continued, resulting in
                                                                                 the cinema closing between 13 October and 25
                                                                                 December, 1963, and an even longer closure
                                                                                 during the winter months of 1964 starting from
                                                                                 Anzac  Day  up  until  25  December.  Its  last
                                                                                 screening  under  the  Hoyts  Ozone  name  and
                                                                                 management was The Shoes of the Fisherman
                                                                                 on Saturday, 28 March 1970.

                                                                                 The theatre was sold to Roy Denison of South
                                                                                 Coast Drive-in Theatres Limited for $25,000
                                                                                 on September 1970. Denison was a local who
                                                                                 had run the Port Elliot Drive-in since January
                                                                                 1959 and had decided to take his love of movies
                                                                                 into the hardtop cinema business. It was during
                                                                                 this period that Howard Williamson returned
                                                                                 to the theatre as the projectionist.

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