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THE THEATRES OF LISMORE, NSW                                                                (Part 3)





            A NEW THEATRE FOR LISMORE - THE VOGUE




                By William Gray


        Following on from Parts 1 & 2 of the Lismore
        story in previous issues of CinemaRecord, this
        final part presents a more detailed account of
        the Vogue Cinema.
          n the early 1930s, cinemas were doing very
        Iwell in spite of the Depression, the escapist
        entertainment  and  low  admission  prices  a
        winning combination.

        In Lismore, Mr. T.J. Dorgan had been highly
        successful in the operation of the Star Court
        and Federalette theatres, and decided to add
        a more modern showcase venue. At first, it was
        decided to name the new theatre the Plaza, and
        was to begin construction in 1933. However,
        it did not begin at that time due to financial
        reasons.  Construction  finally  commenced  in
        1935.

        Situated at 41-45 Molesworth Street, the new
        showcase  theatre  was  officially  opened  on
        11  November  1935,  the  architect  being
        Mr. F.J. Board. Originally it was to be called
        the Plaza, but at the last moment, the name
        was changed to the Vogue.

        The exterior of the theatre was changed from
        Mr. Board’s original 1933 sketches showing a
        Moorish/Spanish influence and a lower facade,
        to a revised design (also by Mr. Board) being
        taller and more classical, with elements of Art
        Deco on the façade. Dimensions given were
        165 feet long x 64 feet wide, with a stage of
        46 feet wide x 23 feet deep.

        “The ceiling of the building which, in part, is
        35 feet above floor level, has been completed            The Vogue, as a religious centre  1980s.
        in Tentest, one of the latest materials for the
        purpose,  with  fibrous  plaster  moulds  in  the  garden flat roof with adjacent retiring rooms  The Vogue featured a gigantic 48-sheet hand-
        auditorium.”                        for ladies and gentlemen.           made  movie  poster  on  its  roof.  This  huge
                                                                                poster, visible to passing traffic and pedestrians
        A  feature  of  the  new  theatre  will  be  the  Imposing flush panel veneer doors open from  crossing the Richmond River, was twice the
        platform for the orchestra in front of the stage,  the stairway to the auditorium. From here, a  size of the normal 24-sheeter. There is a large
        machinery  being  installed  to  enable  the  striking impression of the auditorium is gained.  colour  photograph  taken  from  the  bridge
        platform  to  be  raised  during  orchestral  The proscenium is 28 feet wide x 20 feet high.  showing a cargo vessel moored at a wharf by
        performances.                       The sound system used is RCA high fidelity,  the river, with the poster in the background.
                                            and lenses for both projectors are by Taylor-  This photograph is still displayed in the Mecca
        Made of nickel-plated chrome steel, a light in  Hobson.                 Café in Magellan Street.
        the centre of the ceiling of the auditorium will
        be one of the attractions of the structure. In the  The  opening  attraction  was  the  RKO  film  In October 1940, the Vogue was selected to
        shape of a star, it is fitted with 40 electric light  Becky Sharp, which was the first film to use  screen Gone  with  the  Wind  for  a  two  week
        globes. Ventilation plant to treat the air in the  the  newly  developed  3-strip  technicolor  season. Admission prices were increased by
        auditorium  which  will  accommodate  1100  process.                    the Distributor (MGM) and it was stated that
        patrons, paper panelling of the internal walls,                         the film would not be shown anywhere else
        and  furnishing  of  the  theatre  completed  the  “Seven year old violinist, Ewingsdale Perry  except at the increased price for at least a year.
        work for the opening.               Hart, who was the sensation of the last Sydney  Prior  to  screening,  the  manager,  Mr.  Fred
                                            Eisteddfod, delighted the audience with three  Kehoe,  appeared  on  stage  with  the
        Mounting full-width white marble stairs, one  numbers in which she was accompanied by her  announcement that the film would commence
        gains access to the auditorium, or to the winter  teacher, Mrs. Gundach-Macgillivary.”  with an overture as an introduction. Such an


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