Page 12 - CinemaRecord #86
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Three CATHS members have been associated
                                                                                with the Barkly. Jim White enjoyed his time
                                                                                there in 1948 as assistant projectionist to Jack
                                                                                Garry. Jim observed that front-of-house staff
                                                                                were like a family, proud of their theatre and
                                                                                prepared to go the extra step to give the best
                                                                                possible presentation. Keith Gulliver was one
                                                                                of  the  team  who  installed  the  CinemaScope
                                                                                screen.  Keith  dispelled  any  illusion  that
                                                                                elaborate optical measurements were necessary
                                                                                to match image to screen, telling me that the
                                                                                frame for the screen was given its curve by
                                                                                kicking it into place.

                                                                                The Last Hurrah

                                                                                Ross  King  was  assistant  to  Bob  Buttner  in
                                                                                1960-61, by which time Ross could see that
                                                                                the theatre was on its last legs. Ross recalls an
                                                                                interior painted in Hoyts’ mauve and the stage
                                                                                curtains as white and mauve silk stripes. The
                                                                                upper foyer still looked grand, and the curtains
                                                                                covering the French doors were in a red and
                                                                                white Regency stripe. The ceiling lights were
                                                                                now  the  unimaginative  plaster  ‘chandeliers’
                                                                                which  invaded  and  diminished  every  Hoyts
                                                                                suburban theatre.
        The Barkly turnstiles, a short-lived experiment.  Image: Ian Hanson
                                                                                The former dressing rooms were now storage
        Cowper Murphy and Associates. Their plan of  the  screen  was  slightly  curved,  unlike  later  areas, musty and damp.  Plaster moulds of the
        1947 shows a remodelled stage. The second  installations.  This  was  all  prelude  to  a  new  heads of Corinthian columns lay about. Such
        proscenium is their work.           release pattern. On Thursday 10 June 1954, the  columns were never part of the Barkly decor,
                                            Barkly joined  an  elite  group - Broadway  so  Ross  wondered  if  they  came  from  the
        In 1949, Hoyts wanted to install turnstiles in  Camberwell, Regent South  Yarra, Regent  Regent Collins Street.
        the  foyer  for  better  crowd  control.  The  Thornbury  and Victory  St  Kilda  –  as
        proposal was rejected: “When the vestibule is  Simultaneous  with  Regent  Collins  Street.  Ross recalls that the bio-room had its share of
        widened it will be possible to redesign it so that  These five theatres enjoyed nearly six months  surprises. “The slide bi-unal was directly at the
        there is a fixed turnstile”. (5)    of exclusive CinemaScope presentations, soon  top of the entrance stairs. When showing slides
                                            to be called Regency Releases, until fit-outs  you had to be careful not to step back or risk
        Hoyts applied again four years later and this  began in earnest in the other theatres of the  falling down the stairs. One night I went to
        time they got their way. For whatever reason,  chain. The Trocadero was one of the last to  carbon-up the slide arc-lamp, which I had not
        the turnstile experiment was a failure. It was  get CinemaScope.        switched  off  properly.  I  was  lining  up  the
        certainly an aesthetic one. Patrons were yarded                         carbons  and  the  lamp  struck.  Surprised, I
        like sheep between metal barriers.  The status of the ‘New’ Barkly was not helped  involuntarily  jumped  backwards,  luckily
                                            by  a  news  report  in  1955  that  four  circle  grabbing  the  stair  rail  which  stopped  my
        Hoyts never widened the entrance, offering the  patrons rushing an external exit to ‘beat the  descent.
        excuse that to take in one shop would mean  Anthem’  had  fallen  25  feet  when  the  stairs
        breaking a lease, and they didn’t remodel the  gave  way.  An  investigation  concluded  that  “In  the  corner  of  the  bio-box  was  a  metal
        upstairs toilets. They did however improve the  decayed timber had gone unnoticed because  funnel  that  protruded  about  2  feet  from  the
        external ones and remodelled the bio-room, in  there were no external signs of it. (5)  floor. This was a pissoir for the operating staff
        anticipation  of  CinemaScope,  which  was  to                          at a time when they were not allowed to leave
        restore the fortunes of the old theatre.
        Back on Top

        The Robe opened on Thursday 3 June 1954,
        the fifth theatre in the chain to be fitted out. In
        the Hoyts newspaper column the theatre was
        temporarily  listed  as The  New  Barkly.  The
        stage was resplendent with a gold curtain and















        Regency Release cinema slide  c.1954
                              Image: Ross King  Another view of the Barkly turnstiles.  Image: Kevin Adams.


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