Page 33 - CinemaRecord #85
P. 33

And there’s the rub - replacing the projector is
        an expensive exercise. “The professional units
        that the big cinemas use cost about 80 grand,”
        says Schache. “We wouldn’t need something
        at  that  level,  but  you’re  still  talking  tens  of
        thousands of dollars. We’re looking into get-
        ting a loan, but we’re a volunteer organisation
        so I’ve got no idea how we’re going to fund
        it.”

        To  continue  showing  new  movies  before
        they’re released on DVD or for legal down-
        loading, Lobethal Cinema needs a profession-
        al  projector,  rather  than  a  significantly
        cheaper  domestic  unit.  This  is  because  the
        digital system used in cinemas is designed to
        be incompatible with home theatre technolo-
        gy: movies come on an encrypted hard drive
        that  gets  downloaded  into  the  projector  and
        will only work for as long as the cinema has
        paid for a licence.
                                                               The dress circle      Image  ©  Erica Ashton 2014
        “We like to show movies while they’re cur-
        rent,” says Schache. “The ‘real’ cinemas like  The 12-week gap between a film’s cinematic  Huxtable says survival depends on more than
        Hoyts and Wallis get them first. We get them  release and its availability on DVD (or as a  the  occasional  blockbuster.  "As  a  company
        about a month after release, before they come  download) works to keep audiences going to  we aspire to create a point of difference,” he
        out on DVD.”                        the  movies,  and  the  longer  a  film  runs  in  says. “We do this by creating add-ons, events
                                                                                within our general programming. He points to
                                                                                a summer season of outdoor screenings, chil-
                                                                                dren’s movies, discos, and a girls' night out
                                                                                with  champagne  and  Fruchocs,  as  well  as
                                                                                nostalgia  nights.  “Our  nostalgia  quiz  with
                                                                                Anne Wills regularly brings 80 to 100 seniors.
                                                                                They like seeing Judy Garland back on the big
                                                                                screen.”
                                                                                Judy  Garland  would  have  been  a  hit  at  Lo-
                                                                                bethal when the cinema was new, but even her
                                                                                1939 classic The Wizard of Oz now comes in
                                                                                digital form, so the old projector has become
                                                                                a  museum  piece.  “We  were  hoping  to  get
                                                                                some old film to do nostalgic screenings, but
                                                                                the film is all gone,” says Daniel Schache.
                                                                                Lobethal’s  projector  may  be  redundant,  but
                                                                                the cinema is much more than the hardware it
                                                                                employs. The building speaks of a prosperous
                                                                                period in the town’s history and survives as a
                                                                                reminder of a time when going to the movies
                                                                                was a way for people to keep in touch with the
                                                                                outside world as well as their local communi-
        The proscenium viewed from the dress circle. The curtain at the half way point hides a roll-down screen,  ty.  Schache  retains  some  hope  that  it  can
        which is used for film presentations with the audience occupying the dress circle only.  continue to do that job. “We’re temporarily –
                                                          Image  ©  Erica Ashton 2014  I hope it’s temporarily – out of business,” he
                                                                                says. “We might be able to get a government
        It’s this brief window of opportunity that has  theatres, the more profit the cinema makes.
        kept  the  little  cinema  viable.  Continual  im-  When a film is first released, the distributor  grant or maybe some sponsorship. The writ-
        provement  in  home  audio-visual  systems  takes a 55 percent cut of the box office, a rate  ing is on the wall, but all is not lost yet.”
        means demand dries up once a movie is avail-  that reduces with each passing week, giving a  The odds are stacked against it but perhaps, in
        able for watching at home.          bigger slice to the cinema.         the  best  Hollywood  tradition,  this  isn’t  the
                                                                                end,  just  a  cliffhanger  to  be  resolved  in  the
                                                           One of Huxtable's more  sequel. «
                Art deco style leadlight windows and entrance doors
                                                             memorable  perform-
                                                             ers  was  Australian  Article reproduced with permission -
                                                             feature Red  Dog.  “It
                                                             ran for 11 weeks. Af-  Adelaide  Hills  Magazine  Autumn  2014  edition
                                                             ter six weeks, the dis-  www.adelaidehillsmagazine.com.au
                                                             tributor’s  cut  was
                                                                                Editorial comment:
                                                             down  to  30  percent.  It was recently reported that a group of concerned
                                                             It’s  a  good  incentive  Lobethal locals have joined forces with the Lobe-
                                                             for us - if we can do
                                                                                thal  Centennial  Hall  Committee  and  interested
                                                             some good local-area  students from Birdwood High School in an effort
                                                             marketing  it  helps  us  to “Save the Lobethal Cinema” and help fund raise
                                                             in the long run.”  to reach the goal. We wish them success.



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