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partnership  with  Reading,  Eddie  Tamir
                 expanded the site to five screens; the original
                 twinned space with 380 seats and 50 seats, and
                 three new screens seating 190, 180 and 160,
                 respectively.  The  theatre  was  always  the
                 interesting building in Gordon Street; now it
                 has twice the presence. The additions were the
                 design of Aidan Halloran of ITN Architects
                 Further  improvements  followed.  In  October
                 2005,  the  original  twinned  space  was  again
                 revamped to now seat 270. Mr. Tamir assumed
                 full control of the Classic in 2011. On Sunday
                 29  January  2012,  he  hosted  an  anniversary
                 party  to  celebrate  the  centenary.  Later  that
                 year, he added a sixth auditorium which seats
                 60. Two cinemas are equipped for 3D using
                 Barco  digital  projectors.  The  total  seating
                 capacity of the complex is now greater than at
                 any time in its history.

                 Time and commercial demands have greatly
                 changed the Classic. What was once the foyer
                 of the 1912 cinema is now a smart restaurant.
                 If it’s a film you want, access is through the  ▼ More foyer views ▲
                 entrance  next  door  into  a  foyer  cleverly
                 partitioned with curved sofas to create nooks,
                 alcoves and a bar for relaxed chatting pre-show
                 with friends. Beyond this pleasing layout and
                 a smart selection of films, the Classic appeals
                 to specialty audiences by hosting international
                 festival events, provides a showcase for local
                 film-makers and runs promotions and parties.
                 Film exhibition, like any successful enterprise,
                 moves  with  the  times  and  all  surviving
                 independent  cinemas  have  to  know  their
                 audience. The comments from the public on
                 the Classic’s  Facebook  page  show  that  its
                 expansion  on  Gordon  Street  is  appreciated.
                 The theatre responds to the people it serves. H

                 Some Classic Highs and Lows
                 High:  Four years of local monopoly, 1912–16
                 High:  1923  Astute  management  battles  fierce
                 competition from Hoyts Renown
                 Low:  1930–45 Relegation to second-rate dance hall
                 High: 1946 Rescued by lessee Bill Howard. On the
                        slide again by late-sixties
                 High: 1970 Village lifts theatre’s profile
                 Low:  1971 A fire set-back
                 High: 1972 Make-over by Village
                 Low:  1980 Cinema tired; losing its appeal
                 High: Lessees Alan Simpson and Russell O’Regan
                        find a new audience
                 Low:  1997 Cinema closes. Kadimah seeks a white
                        knight
                 High: 1997–2014 Eddie Tamir restores the
                        cinema’s fortunes
                 References
                 1    J G Miller. Letter, The Age,  3 January 1970
                 2    Elsternwick Times, April 1901
                 3        Prahran Telegraph, Saturday 1 August 1914
                 4        Roderick Smith, personal communication
                 5       CinemaRecord 38, page 19
                 6    Health Department file: Series 7882P1 Unit
                     341-342 Letter dated 10.6.45
                 7    Brian Miller: Conversation with Paramount’s
                     Manager, Victoria (1972)
                 8     Bill Howard: Conversation with Ross King
                 9   Hartley Davey: Interviewed by Gordon Evans                          Above: The refurbished cinema after re-opening
                                                     Eddie  Tamir  and  Classic  staff  offered  helpful     on 27 January 1972
                                                     comments.  Photos  from  their  website  are
                 Acknowledgments:                    reproduced by permission.           * The Research Group: Cameron Hall, Gordon Evans,
                 Peter Benn directed the authors to Classic ‘insiders’                   Gerry Kennedy, Ross King, Jo Maxian, the late Brian
                 from the Village and post-Village years. We sincerely  +Mr. Tamir also controls the Cameo Belgrave and is  Miller, John Payne, Ian Smith, Frank Van Straten,
                 thank Peter, Russell O’Regan, Wendy Simpson and  re-developing the former Glen Glenferrie.  Ian Williams, Eric White and Jim White
                 Lorraine Benn for their insights.

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