Page 24 - CinemaRecord #83
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Japanese roofing iron profile differed to the
                 Australian made product, it was difficult to roll
                 the iron for the curved roof. Some second-hand
                 materials were gleaned: a heating system was
                 obtained  from  the  fire-damaged Liberty
                 (Odeon) in Melbourne as well as a pump for
                 the septic sewerage system and a fan for the
                 ventilation   system.   As   bricks   were
                 unobtainable, the exterior walls of the building
                 were  made  from  reinforced  concrete.
                 Regulations at the time permitted the use of
                 concrete,  providing  the  cement  was  sourced
                 from outside Victoria.
                 The external roof line was complemented by
                 a  curved  ceiling  of  acoustic  tile  sheets
                 (approximately 1.8 m x .9 m). This proved to
                 be an attractive part of the decor. A stage area
                 was built to accommodate the screen, sound
                 equipment, curtains and machinery. Instead of
                 building a proscenium, the straight auditorium
                 ceiling finished at the stage curtain (which was           A crowd gathers to watch the fire
                 headed  with  valances).  Decorative  plaster
                 swirls were applied to the front of the stage and  The decor of the lounge foyer was completed  Premiere for the local hospital building appeal.
                 down the side walls of the stalls. The indirect  with the use of cream brocade curtains (to the  Mr. Ern Pollard was the theatre's projectionist
                 house lighting was set into troughs at the top  front  windows),  sections  of  mirror  tiles,  for seven years.
                 of the walls.                       standard  lamps  and  vinyl  divans.  The  stalls
                                                     foyer was utilitarian, and contained a central  With  better  access  to  first  release  films,
                 The  theatre  was  designed  to  seat  808  on  a  ticket box, a curved candy counter, and poster  Lawrence Brothers were able to rapidly build
                 single  raked  floor. Film  Weekly  at  the  time  panels  fixed  to  the  eastern  wall.  A  forward  their  business.  First  release  contracts  were
                 records the seating capacity as 850; there is no  reservations/manager's office and pram room  arranged  with  RKO,  Warner  Brothers,  Fox,
                 explanation for this difference. The auditorium  also opened off the lounge foyer.  British  Empire  Films,  and  Universal.  The
                 was  divided  into  both  lounge  and  stalls                           "Town  Hall  Talkies"  retained  exclusive
                 sections. The foyer areas were at the front of  In 1942, Lawrence Brothers had purchased two  release of MGM, United Artists and Paramount
                 the building (beneath the lounge) and down the  1940  model,  Simplex  projectors  from  the  product for a short while, until the distributors
                 left  hand  side  of  the  auditorium.  The  stalls  Royal  Australian  Navy  (Flinders  Depot).  decided  where  their  best  interests  were.  An
                 were accessed from the side foyer, and seated  These  were  stored  until  they  were  aggressive advertising policy was used with
                 472 on 19 inch wide, burgundy coloured vinyl,  “temporarily” installed with a Western Electric  such slogans as "It's best (... warmest, pleasant)
                 flip-up  seats  in  curved  rows.  The  lounge,  sound  system  in  the  new  theatre.  From  all  in The Valley” being used.
                 which was centrally accessed from the front  accounts,  they  provided  trouble  free  service
                 foyer, seated 336 on 20 inch wide, mushroom  and were sold to the Cameo (Belgrave) when  From the start, the Valley Theatre screened
                 fabric covered, Dunlop chairs. The rows in the  the theatre closed. They are now owned by a  six  nights  a  week,  with  Saturday,  and  often
                 lounge  were  straight.  The  auditorium  and  Melbourne CATHS member.  midweek  matinees.  Three  program  changes
                 foyers were painted in a combination of white,                          were  made  each  week,  because  of  public
                 grey and subtle shadings of pink. The entrance  Excluding the projectors, the total cost of the  demand and the availability of films. Patrons
                 and  stalls  foyer  floors  were  covered  with  building, furnishings and equipment, totalled  flocked  from  all  parts  of  Gippsland  to  this
                 brown  and  beige  asphalt  tiles.  The  lounge  £66,000. Apart from a minor alteration to the  comfortable theatre. The construction camps
                 section  of  the  foyer,  stairs,  aisles  and  stage roof line to accommodate CinemaScope  provided the theatre with a large, ready-made
                 crossovers  were  covered  in  a  burgundy  in  1955,  the  building  remained  structurally  patronage base, and the workers were bussed
                 patterned carpet.                   unaltered until its closure. The Valley Theatre  to the Valley. It was interesting to note that the
                                                     opened on 19 December 1951, with a Charity  "Town Hall Talkies” continued to screen up
                  Below: The stadium style layout                                        to  five  nights  per  week,  with  a  Saturday
                                                                                         matinee,  for  over  a  year  after  the Valley
                                                                                         Theatre opened.

                                                                                         During the afternoon of 27 February 1956, a
                                                                                         suspicious  fire  damaged  the  stage  area,  the
                                                                                         centre of the first three rows of the stalls, and
                                                                                         caused extensive smoke damage to the whole
                                                                                         auditorium. Only for the fact that the manager
                                                                                         and  his  staff  were  on  the  premises  taking
                                                                                         reservations for A Man Called Peter, and that
                                                                                         a  patron  smelt  smoke,  the  theatre  may  well
                                                                                         have been totally destroyed. The press report
                                                                                         estimated  the  damage  to  be  in  the  order  of
                                                                                         £8,000 – £10,000.

                                                                                         After a hasty clean-up, the theatre re-opened
                                                                                         on  8  March,  utilising  a  standard  screen  and
                                                                                         sound  system.  A  disclaimer,  concerning
                                                                                         damage to patrons' clothing, was placed in the
                                                                                         Traralgon Journal at the time of re-opening.
                                                                                         Screening  continued  during  the  subsequent
                                                                                         refurbishment,   which   included   the

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