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P. 32

Courtesy of the
                                                                             Esperance Theatre Guild

                  he  seaside  town  of  Esperance  in
              TSouthern  Western  Australia  saw  a
              time  of  vigorous  growth  and  significant
              development after it was officially gazetted a
              Municipality on 27th September 1895.
              In  1896  Edward  James  McCarthy  built  a
              two  storey  general  store  and  next  to  it  the
              Bijou Theatre. Mr McCarthy managed both
              concerns  on  behalf  of  the  Esperance  Land
              Company. The Bijou became a popular venue
              for the town’s entertainments. Warner’s Merry
              Moments, a touring company, provided the
              first musical entertainment, which was well
              documented in the "Esperance Chronicle" of   Opening celebrations in 1896.
              31st October, 1896.

              Gatherings  of  a  more  serious  nature  also   Over the next thirty years, school festivities, stage
              took place within the walls of the Bijou. A   dramas, socials, films, dancing and even roller
              spirited public meeting attended by over 200   skating  (for  which  the  original  pine  flooring
              people was called as a result of provocative   around the perimeter of the hall was removed and
              statements  by  John  Cabble  concerning   replaced with stronger jarrah boards to which the
              the  proposed  railway  between  Esperance    skaters were restricted) ensured that the Bijou
              and Norseman.                      was an active social centre.
                                                                                    Interior fittings included brass oil lamps hung
                                                                                    from patterned wooden beams and the ripple
                                                                                    iron  walls  were  decorated  with  pictures  of
                                                                                    sailing ships.

                                                                                    Early photographs clearly show the spartan
                                                                                    seating  for  patrons  -  and  primitive  stage
                                                                                    cloths which were used by local businessmen
                                                                                    for advertising purposes. Large urns holding
                                                                                    majestic  Norfolk  Island  Pines  synonymous
                                                                                    with  Esperance  and  other  native  floras
                                                                                    adorned the painted proscenium.

                                                                                                              1916.










               Interior 1897.



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