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P. 18

Celebrating
                                                                         ALAN WOODARD




                                                                                  CINEMA PIONEER

                                                                                    By Brian Pearson




                                                e’s a spry 100 years old. A talented  This was a single-cylinder water-
                                            Hcarpenter, who in retirement      cooled engine driving a 110-volt DC
                                            became a skilled cabinet maker whose  generator with a thick cable snaking in
                                            exquisitely crafted grandfather clocks,  through the doors to the lamp house,
                                            chests, occasional tables and display  and had during the week been chugging
                                            cabinets adorn his beautiful Tusmore  away in Strathalbyn and Goolwa where
                                            Avenue apartment in the leafy Adelaide  the same reels of film were exhibited,
                                            (SA) suburb of Leabrook. (As well as  and the audience waited in the
                                            the homes of his children and friends).   acetylene gas-lit halls while the spools
                                                                               were changed.
                                               It is a couple of hundred metres
                                            from Adelaide’s elegant heritage-listed  The travelling showman, whom
                                            Chelsea Theatre, which he and I know  Alan remembers fondly as a good
                                            best as the Ozone, Marryatville.   family man, took the star-struck boy
                                                                               under his wing and allowed him to help
                                               His name is Alan Woodard,
                                                                               set up the hall for the show, share a
                                            Cinema Pioneer and the last remaining
                                                                               meal afterwards, and then sit alongside
                                            board member of Ozone Theatres -
                                                                               him as he cranked the projector and fed
                                            one of South Australia’s two highly
                                                                               the arc by hand – the envy of all his
                                            competitive but friendly and mutually
                                                                               friends.
                                            supportive picture theatre chains.
                                                                                  A local pianist, Mrs. Deed, played
                                               Like many of us in the long-ago
                                                                               music fitted as closely as possible in
                                            heyday of cinema construction when
                                                                               tempo and mood to the action on the
                                            silent and then the miraculous sound
                                                                               screen, ramping up to rousing tunes to
                                            and colour movies were the primary
                                                                               drown the whistling and stamping of
                                            entertainments of hundreds of millions
                                                                               the youngsters in the audience while
                                            of people, Alan began young.
                                                                               the show came to a complete stop and
                                               It was 1926, he was fifteen, had left
                                                                               the mostly 1,000 feet spools were
                                            school and become a carpenter’s
                                                                               changed, while Alan took the ‘End Out’
                                            apprentice, when he hung around the
                                                                               spool to a back room to be rewound.
                                            Institute Hall at Victor Harbor each
                                                                                  Some of the feature spools were
                                            Saturday while the Yankalilla-based
                                                                               2,000 feet in length, running
                                            touring cinema exhibitor pulled up in
                                                                               approximately half an hour, but the
                                            the lane alongside to unload his single
                                                                               distributors forbade the joining of short
                                            projector from his De Dion van, set it
                                                                               subjects to lessen the gradual
                                            up on the floor of the hall behind the
                                                                               shortening of the beginnings and ends
                                            banks of seats, and then went outside to
                                                                               of the films as they were cut apart and
                                            connect up the arc power supply.
                                                                               rejoined by successive exhibitors.
                                                                                  Soon Alan was trusted to crank the
                                                                               projector while the projectionist went
                                                                               outside, ostensibly to check the
                                                                               Blackstone engine, but almost certainly
                                                                               to enjoy a cigarette, dashing back
                                                                               inside to change the spools.
              News report from January 1934.


          18  2011 CINEMARECORD
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