Page 17 - CR
P. 17

By the end of the 1920s O’Brien
          had run into financial difficulties and
          his South Island theatres were acquired
          by the Fuller-Haywood circuit in 1936.
          This chain was later absorbed into the
          Kerridge Circuit (New Zealand’s
          largest).
            In 1934 plans were drawn by
          Dunedin architects Mandeno & Fraser
          to remove the Princes St arcade
          entrance. A new entrance was to be
          constructed around the corner at 11
          Moray Place. It is thought that
          disagreements regarding tenancies in
          the arcade and the interruption to
          retailers caused by the long queues of
          patrons forced the planned relocation of                  Dress Circle foyer in 1928.
          the main entrance. The change of
          entrance is thought to have been
          constructed, off the right-hand end of
          the foyer, by 1940/41.
            The Princes Street access was
          closed forcing the alteration of some
          parts of the circle foyer. The theatre
          was now entered via eight doors to a
          long and sloping passage way leading
          to the right-hand end of the stalls foyer.
          A wide, marble staircase on the left of
          the entrance passageway led to the end
          of the circle foyer. Two ticket boxes
          were built against the side walls; the
          left one serviced the circle.
            Because of the hard surfaces, the
          acoustics were deemed to be deficient  Above: A new auditorium was built
          and in 1941 the theatre was        alongside the original Empire, which
          “modernised”. This largely led to the  then became the foyer and dress-circle.
          removal or destruction of many of the
          beautiful decorative features, including
          the minarets, the street scenes and most
          of the murals.
            The installation of acoustic panels
          covered the murals which were a
          feature of the theatre. The orchestra pit
          was covered over. Extensive neon
          lighting was installed throughout the
          auditorium, in the alcoves and foyers
          and the theatre was painted in bland
          colours. The effect was one of an
          incomplete work in progress.
            By 1946 the Rank organization had
          purchased a large interest in the
          Kerridge Circuit and the resulting
          company was called Kerridge – Odeon.                      New Moray Place entrance.








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