Page 29 - CinemaRecord Edition 3-2003 #41
P. 29

Love Your Patrons

                   by Tony Froude

            The Penthouse is situated at 205
          Ohiro Road in the Wellington hill
          suburb of Brooklyn. At the time of its
          construction it was near the terminus of
          the Brooklyn tram. Around the corner
          in Cleveland Road films had been
          screened in a hall known as Fullfords
          from about the time it opened in 1905.
          Over the years this hall was known
          under several names - Fullford’s
          Pictures, Bijou Entertainments, the
          Royal, and Brooklyn Pictures. Films
          were still being screened there when
          the Vogue, as the Penthouse was then
          known, opened in 1939.
            Designed by architect Reginald D.                                                    Image: Tony Froude
          Stowe in the Art Deco-style for owner
          Bunny Ranish, the reinforced concrete  as a monument to Mr. Ranish and all  On 28 January 1975 a Mr. Howe of
          building measured 108 feet deep by 50  those specialists who had combined in  Cameo Theatres lodged an application
          feet wide, with a full width cantilever  its erection”.              for a public hall licence with the
          verandah and a central tower with its  Projection gear was Ernemann, with  Wellington City Council. As well as
          name in neon. The building is now  Zeiss Ikon lenses, a Realtone Rectifer  reiterating the safety conditions for
          cream with reddish adornment. It was  and oil damped sound leads by Cinema  operating a theatre which had been in
          the last cinema to be built in Wellington  Supply Coy.               force since the 1920s, the council
          until the conversion of the Kings to a                               stipulated that the theatre was to be
                                               A full house enjoyed Tyrone Power
          twin in 1979.                                                        separated from the rest of the building
                                            in Suez, plus Safety in Numbers and a
            When the Vogue opened on 15 June  few shorts.                      by a two-hour fire wall. This special
          1939 the papers waxed lyrical, ‘...the                               condition was because of the plumbing
                                               The Vogue continued to operate
          auditorium has warmth-exuding tones                                  workshop with its gas bottles and other
                                            until TV forced its closure on June 24
          helped by ornamental lines’. The report                              flammable materials.
                                            1963, some 24 years later. The
          continued, ‘the carpet was light in                                     If all conditions were met the
                                            building, now owned by a group of
          colour to harmonise with the walls.’                                 Council was prepared to licence a 245-
                                            accountants had as one of their tenants
          The description of ornamental                                        seat cinema. This was a far cry from
                                            a plumber who had a workshop and
          mouldings and a stepped ceiling, can                                 the original seating of 622 (414
                                            storage area there.
          still be seen in Cinema 1, though  ‘…a                               downstairs and 208 upstairs), but by
                                               This could have been the end of the
          cycle of coloured lights which provided                              this time the accountant owners had
                                            cinema operation on this site, but
          interesting patterns from behind the                                 built over the downstairs area. As far as
                                            ironically TV saved the building. Stan
          panels,’ is no more.                                                 they were concerned, Stan Wymes’
                                            Wymes, who had been a cameraman for
            The original design called for a                                   post-production and the plumber’s
                                            the National Film Unit and who filmed
          multi-use stage 30 feet wide by 21 feet                              workshop would remain.
                                            many wartime newsreels, decided to set
          deep (9m. x 6m.). The fact that all seats                               Later in 1975 Merv. Kisby and wife
                                            up business in the Vogue making TV
          were sprung was seen as worthy of                                    Carol purchased the rights to the
                                            commercials, which in the early days of
          mention, since at that time New                                      cinema, now approved by the
                                            transmission used tele/cine operations.
          Zealand still had cinemas with hard                                  Wellington City Council, and gave it the
                                            As well as filming, Stan did post-
          seats in the front stalls. The auditorium                            name Penthouse. It opened with 208
                                            production on site and used the
          was air conditioned, with air fed in                                 seats in orange vinyl, still with the post-
                                            projectors in the box to show the
          through grilles in the side walls,                                   production business and the plumber's
                                            finished product to the client before
          promising ‘dustless air’ in accord with                              workshop. This meant that Merv. could
                                            reducing the 35mm stock to 16mm for
          the best practice in Britain and                                     not screen until after 5pm when the
                                            the local channels.
          America. Mr. R. A. Wright stated at the                              plumber stopped work for the day.
          opening that, “This theatre stands out
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