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HOYTS ALBURY

              The Spirit of Art Deco







                                                       By Julie Lord

                           It’s 1968, and a young girl of five enjoys an outing to the cinema with her grandmother.
                The little girl is in awe of her surroundings, so different from anything she has previously seen or experienced.
                              At the time she doesn't really understand why the theatre appeals to her so,
                             other than it being something magical and wondrous to which she feels drawn.
                        However, with the passage of time and an adult appreciation of the aesthetics underpinning
                           the theatre’s design, she realises that this is where the seed of her fascination with,
                           and love of, Art Deco and Moderne design was sown - a matinee at Hoyts Albury.


            In discussing the architecture of
          Hoyts  Albury, it is helpful to have
          some understanding of the period and
          the influences at work at the time of its
          construction.
            Art Deco and Modernism were
          responses to rapid changes in society as
          a result of late 19th century
          industrialisation and the aftermath of
          World War I. There was a strong desire
          to reject what had come before, for the
          world to be ‘born again’ in a sense, to
          develop a new aesthetic relevant to
          post-war sensibilities.
            Art Deco is difficult to define, but
                                                                                                   John Steven’s Collection
          is distinctive and readily identifiable.
          Its many influences can be seen in the
                                            aspects of Art Deco and modern design  Edwardian and Victorian homes and
          material brought together for the 1925
                                            can be found both before and after this  their mostly conservative successors in
          Exposition des Arts Decoratifs et
                                            loose date range.                  styles such as Federation,
          Industrials Modernes held in Paris.
                                               The relationship between Art Deco  Californian/Australian Bungalow and
          It is from here that Art Deco derives its
                                            design and cinema is a logical one, since  others. Contemporary-looking homes
          name, though the term itself wasn’t
                                            both were new and evolving in the first  were considered too different, too
          coined and used until the 1960s when
                                            half of the 20th century. As movies  radical. Instead, domestic architects
          the first retrospective of this period was
                                            became popular, purpose-built venues  incorporated modern design into
          held. Initially - from 1910 onwards - it
                                            were designed to show them. The design  interiors - Deco-influenced plasterwork
          was simply called modern or moderne.
                                            of these buildings was not constrained  for cornices and ceiling roses; Deco-
            Art Deco as it originated in France,
                                            by history and tradition and architects  influenced colour schemes; Deco-
          drew freely from many previous styles
                                            and other designers were able to adapt  influenced decorative glass in leadlight
          including classicism, indigenous, pre-
                                            the new and latest styles for them.     and sandblasted doors - all less obvious
          Columbian and Egyptian cultures, as
                                               By contrast, while new banks, town  to the outside world and so less subject
          well as the preceding Art Nouveau.
                                            halls, offices and other public buildings  to concerns about ‘what the neighbours
          Throw in Cubism, Futurism and others
                                            were needed, their designs were often  might think’.
          and the end result of this fusion were
                                            constrained by tradition. Banks for   The earliest cinemas, both locally and
          the signature Art deco motifs - abstract
                                            example, need to present an image of  overseas, made use of existing theatres or
          geometrics, zigzags, and streamlining.
                                            solidity, reliability, and longevity. The  were constructed in Revivalist styles, the
            Art Deco pervaded all aspects of  public expected a conservative,  culmination of which were the elaborate
          living, be it architecture, fashion,  business-like image and this often  'Movie Palaces' of the 1920s. However,
          jewellery, furniture, glassware, art,  translated to the chosen architectural  with the advent of sound and need to
          industrial design or transport.   style. The same influences were evident  reduce construction costs as a
          Consequently it could be considered the  in the construction of private dwellings  consequence of the Great Depression,
          last truly ‘total’ style. Most simply it  - while Modern /Art Deco homes and  Art Deco and Moderne were adopted as
          can be categorised as the major design  apartments were built, overall numbers  the dominant styles.
          influence ‘between the wars’, though  were small compared to the stock of
          22  2008 CINEMARECORD
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