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Personal memories and more by Fred Page

            Architecturally we all have a
          favourite theatre – mine is the Capitol,
          but the Kings was my favourite
          entertainment house. My first
          awareness of the Kings was in 1942.
          My family were keen listeners to Will
          Samson’s Community Singing which
          was broadcast by 3KZ at 3pm on
          Sunday afternoons. I clearly remember
          Will Samson saying “…the next
          broadcast will be from the Kings as a
          screening picture house.” Nearly 50
          years later the cutting (above, right)
          was given to me:
            My next recollection of this theatre
          was the queue in the lane to the Upper
          Circle for Snow White And The Seven
          Dwarfs, which must have been a re-
          release. Free chocolate frogs were on
          offer to all babes in arms so my
          mother picked up my six or seven year
          old brother and received her freeby.
            The Kings was a live house until
          about 1942 when it became the
          Melbourne outlet for Warner Brothers
          films. Other product was also screened
          there, for example Columbia’s The
          Jolson Story.
            The Kings returned to live shows
          in 1949 with Rusty Bugles. Apart from
          pantomimes, this was the first play I
          had seen. My overwhelming
          impression of the theatre was - a flea
          pit. Old and dirty, the royal blue stage
          curtain had holes and tears emphasized
          by the light from backstage that shone  Top: Trade
          through them. But the play was great  announcement of
          and I became hooked on live theatre.  the initial
            My next visit was to a matinee on  conversion to film.
          Labour Day in 1951. The play was A  Centre: The
          Message for Margaret set in an     program which
          apartment during an English winter.  hooked Fred Page
          The temperature on the day was in the  on live theatre.
          nineties. The theatre was not air-  Bottom: Painting
          conditioned and the cast were in winter  of the interior
          clothes. Well, in spite of the heat, the  commissioned by
          performance was so convincing that  Fred. The
          the audience was buttoning up their  ‘goddesses’ are
          coats to face the cold as they left the  suggested above
          theatre. (I believe Dr Zhivago     the proscenium.
          produced the same reaction.)



          20  2003 CINEMARECORD
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